Rasa Nishpati in reference to Tabla Accompaniment: An Analytical Study

Abstract

In the present article, in the context of Tabla accompaniment, Rasa Nishpati considers the Rhythm, Rhythm, tone, instrumental and rasa performed by the Rhythms and Rhythms used for instrumental accompaniment. Rasa Nishpati by the lyrics of Tabals, Rasa Nishpati by Talas, Rasa Nishpati by tals, Rasa Nishpati by Rhythms, etc., are described. If the above principles of fellowship are harmonized with the singing play, then the feeling of rasa is definitely achieved. Different lyrics of Tabla prove to be helpful in generating Rasa, due to which the audience gets more pleasure while listening to any presentation, so in this research paper, the researcher has described the origin of different types of rasas from the lyrics of the Tabla.